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The
Power of Advertising project uses technology in a matter-of-fact way
to encourage students to explore how the underlying assumptions in
the social, cultural, and political aspects of their lives. It combines
"high tech" black-and-white digital photography (with an
inexpensive digital camera, computer, and printer) with color created
by hand with colored pencils or tempera paint. As artist Juan Chávez
says, "I want students to utilize and play with technology, not
worship it like a false idol." |
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OBJECTIVES:
Create a classroom environment where students
are able to investigate and question received truths and their own
belief systems.
Investigate "non-traditional" forms of art making using
modern technology.
Provide the student with the means to use art to investigate themes
by creating multiple text/image versions based on one issue or idea. |
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QUESTION
TRUTH
Create a worksheet that asks questions about issues related to your
students communities, race, social situations, and other relevant
topics. The questions will have to be designed by each teacher in
response to the context. Ask questions that encourage students to
articulate what they believe to be the "Truth" about their
situations.
My questionnaire for Austin High School asked the students what they
believed about themselves or other people. I tried to use concrete
questions that stimulate immediate ideas and discussion. Sample questions:
Name one thing a family member told you that you know was a lie. Can
men do more than women can? Are women smarter than men are? Do you
believe everything you see on television or in textbooks? Why not?
DISCUSS ART
Discuss the works of artists who use popular media as a vehicle for
their art. (See Artists chapter.)
Sample questions for this discussion include: What is this artist
trying to sell? Is work considered art if its on a bus or a
billboard? Why would the artist choose to place the artwork on a bus
rather than a museum or gallery?
CHOOSE AN ISSUE
Have students name an issue or message they feel needs to be "PROMOTED"
within their community (or possibly globally). They can refer to the
questionnaire or you can break them up into small collaborative learning
groups and have each group come up with three ideas.
WRITE A SLOGAN
Once each student or group has chosen an issue, have each group create
a slogan like "Just do it" or "Crack is Whack".
It is best to have the saying be no more than 4 or 5 words. This is
really the most difficult part of this project. Most students will
simply write down a statement of the issue and be satisfied with it
as the slogan. You will need to challenge them. Tell them to reduce
it to the least amount of words possible without losing its meaning.
Have them rewrite it and exchange certain words with slang words they
use everyday.
TAKE PICTURES
At this point you will need a digital camera and a computer with a
printer. Most digital cameras will come with the software youll
need to download pictures. The project at Austin High School was created
with a $200. digital camera and 5-year old Macs.
Show students the process of taking pictures, downloading images on
computer, and printing the image out.
Discuss with students the expressive qualities of pose and cropping.
It is best when working with photography and copy machines to have
as much detail as possible. This is why close up shots are preferable.
Limit your students to no more than two people in a pose and encourage
zooming in even closer than they might feel comfortable with. You
should produce teaching samples or find advertising images to show
your students how feelings can be expressed using just your hands,
eyes, or body language.
When images have been shot and downloaded, encourage students to make
choices on-screen before printing and to consider whether each image
could be made more dramatic or dynamic by further cropping.
Note: This process of image creation could also be done using traditional
photography, found images, copying machine, or stencils if you do
not have access to the technology or are not proficient with it. Be
creative.
COMBINE IMAGES AND TEXT
The students can type their slogans on a computer and print them out
or use stencils to create strips of lettering. (Having the text strips
made up in various sizes through printing out or xeroxing helps students
to consider various formal relationships of text and image.)
For this project, we did not explore various styles of lettering as
we were basing the look of our artwork on the simple, bold style of
Barbara Kruger. By limiting ourselves to simple, sans serif (without
feet) type, we focused on how scale and placement effected the relationship
of image and text. We aimed for strong, bold compositions.
Have the students compose the two elements in an advertising format
of their choice. Do they imagine the final product to be a bus graphic,
billboard or magazine ad?
You can use a digital camera to re-photograph the work to get a sense
of how well it would stand out in a cluttered everyday environment.
Doing this experiment early in the project will tend to encourage
students to create simpler, bolder image and text combinations.
Using rubber cement to affix the text to the images allows for errors
and excess glue can be rubbed away.
This could be the final product or you can extend it using the following
ideas.
IF YOU HAVE LOTS OF COMPUTERS
If you have enough computer stations, this project can be created
solely on computer, but realize that if this is a beginning art class,
you may find yourself bogged down in teaching a page design program
such as Illustrator. It may be better art teaching to focus on the
photography, writing, editing, and conceptual aspects of the program
and leave the teaching of programs for another time.
DEVELOPING PROJECT FURTHER
1. Go to a Kinkos that has a large format copy machine and blow
the small text/image pieces up to poster scale. This makes the advertising
feeling more tangible.
2. Scan the final piece back into the computer. Electronically place
the image onto digital pictures from around the community. Have students
write or discuss where a particular persons art could have the
most meaning or impact if placed on a certain corner or billboard
in their community.
3. Distribute images in the community. Large format works might be
displayed in store windows, the community library, or on telephone
poles. Small versions might be printed in a community newspaper, an
organizations newsletter, or a local church Sunday service pamphlet.
4. As a class project have students try to sell their ideas to outdoor
advertising companies or local organizations as a community service
campaign.
5. Contact a school that is unlike your own and have them do the same
project. Once completed, exchange works and display them in your schools.
Redo the project in reaction to these new perspectives. This would
be a great way to create urban/suburban partnerships. |
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Click
here to to download Power Of Advertising PDF.
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