Easy roc adds, "the most important aspect of the Summit is to educate and
entertain in a safe, non-threatening environment, not motivated by economic
gain, because we are a nonprofit orgainztion and we are giving back to the
community as well as our culture".
the two-day event also brought forth notable panel discussions enlightening
those who were present, expecially the youth. friday consisted of the
Graffiti Expo, with actual demonstrations, exhibits, merchandise and donated
relics. That evening witnessed the "Graffiti Worldwide" panel, with topics
ranging from messages in the art, exploitation, writers' responsibilities,
consciousness and levels of awareness, societal and community views of the
Graf phenomenon, and an uplifting report on the current stat of street art.
Saturday's first panel,, entitled "B-Boy'n Worldwide" featured guest speakers
Mr. Wiggles, Crazy Legs, Easy Roc, Ken Swift, Mr. Freeze, Jens, Asia and
Suga-Pop. Topics introduced were true Hip-Hop dancing, misuse of the terms
B-Boy/Girl by artists and journalists, the terminology of dance moves, com
munication between dancers, dynamics of battling, mentoring youth and respect
in the circle. Immiediately following the B-Boy/Girl panel, menbers of the
second panel, "Hip-Hop Pioneers and Progressors," took their seats, including
Mr. Wiggles, Mode 2, Mr. Freeze, Q-Bert, Charlies Chase, DJ Yuaka, Dream Nefra,
Prince Whipper Whip, Crazy Legs and Kutfather. Topics included the foundation,
roots and culture of Hip-Hop, regaining control of our culture, responsible
journalism, attutudes and actions of responsibility, what it takes to be a
part of the culture, industry exploitation of the culture, giving back, and
repecting all elements as true art forms. Other community spokespersons who
joined in the dialogue were Adisa Banjoko, Alex Aquino, Hector Calderon
(El Puente), J-Love and Tonea.
the discussion turned to the state of the community (economics, politics, social makeup), educational systems, resources, Hip-Hop advocates and organizations, advancement through Hip-Hop, working to redefine what Hip-Hop is (media, industry and society), and bridging the culture to create a tighter network. The informative panels were most insightful and educational-never in the history of panel discussions (e.g., New Music Seminar, How Can I Be Down, Gavin) has there been so much sincere and genuine paticipation from those who, both domestically and internationally, represent the true aspect of Hip-Hop culture. to top the meeting off, all B-Boys and B-Girls took it to the linoleum and defied gravity in an unrelenting cipher that ran throughout the day.
presently the B-Boy Summit is two years old. This year's convocation is
being work on, and the turnout is expected to grow at an inconceivable rate.
for specific inquiries regarding historical footage of panels and B-Boying
in general, contact Eternal Two Creations at (619) 418-1448.