SpaceCapital

One of Chicago's leading popper, that been poppin since 1979.


Hightlights


1997 - Participated in B-boy Summit IV hip hop event. This event was hosted by eternal Two Creations and Rock Steady Crew. This event had hip hoppers from around the world. 1990 - Recorded a small piece for Walt Disney.

1987 - Performed For REVLON production (with brother Mark, a breaker).

1987 - Danced in three scenes in a musical production called Rappin' Roots-that was telecast on ABC. Comedian Redd Foxx, and Rapper Kurtis Blow starred in this production.

1986 - Kelo (another popper from Chicago) and I was in one of Chicago, Illinois major dance competition, and we finished in second place against poppers, breakers, Ballet, Jazz, and tap dancers. There were over 200 contestant, and top five groups was scheduled to perform on DanceFever show (was a popular dance show in USA-that telecast on CBS.) Never performed on the show due to a production cancellation.

1985 - Performed on local TV show (with group Chicago Cosmic Force).

1985 - Performed in Mexico, the events and tour was sponsored by Pepsi Cola( with crew Chicago Cosmic Force).



I started doing the robot and lockin' in the mid '70s. I was very young and use to watch Soul Train, a lot. Soul Train always showcased new dance forms. Soul Train used to be a local program in Chicago before they moved to California.

Around this time there was a group on the west side of Chicago called the Muppets, they were popular in Chicago. One of the members from the Muppets was in a production called "Breakin' and Enterin'," a documentary about the West Coast hip hop. He also competed on Star Search. I started poppin' in 1979, but a lot of the older guys in Chicago were already into this new dance form. It seemed like every summer this dance was getting more and more popular. There were a lot of groups around in the early '80s.

Funk was the type of music lockers and poppers danced to. Back then it was Cameo ("Shake Your Pants" and "I just Wanna Be"), Parliament ("Stop Light", "Knee Deep" and "One Nation Under a Groove"), One Way ("Pop What Cha Got", and "Mr. Groove"), Zapp ("More Bounce to the Ounce"), and Kurtis Blow ("The Breaks") who were popular- just to name a few.

In the fall of 1983, I joined a group called the Chicago Cosmic Force. Our dance crew battled and performed throughout the Chicago area. Other poppin or breakin crews in Chicago during the mid '80s were Tidal Wave, Chicago Floormaster, DTR, Street Patrol, Freeze, Mechanical Mans, and Venus Electronic, just to name a few.

When 1987 rolled in, poppin' and breakin' popularity was on the decline in chicago. Kelo and I were the only two members from the Chicago Cosmic Force still dancing. We both were outstanding poppers: I popped with power and looked robotic with body effects; Kelo popped loose with waves, leg moves, and he had a distinguished Glide.

Poppin' and breakin' are art forms. We should first study how ballet, jazz, and tap dances dramatize their shows and then how they keep the young kids loyal to those art forms. We have to network and form a unity- nationally and internationally. We should study our audiences and learn the business of entertainment, and how to market these unique art forms. I think that one of the reason poppin' and breakin' popularity declined in the late '80s is because of overexposure.

TOO BE CONTINUE